Pointers from the Pros: Author Stephanie Feagan on Querying

Pointers from the Pros” gives tips from authors and publishing industry professionals on everything from craft to querying to their experiences on the road to publication.

I spoke at the 30th annual Romance Writers of America conference in Orlando, Fla.  Although I couldn’t go to all the faboo sessions being offered, I took a ton of notes at the classes I was lucky enough to attend—and I’m sharing some of those tips with my lovely blog readers. (<—Thanks for being so fabulous, BTW!)

The first afternoon of the conference, I attended the PRO Retreat, which was stockpiled with talks by awesome agents, editors, and authors.  *ahem—Donald Maass much?*

Here is author Stephanie Feagan’s advice when it comes to querying and revising.

THE QUERY ITSELF

  • Get feedback on it from writer friends.
  • It doesn’t matter if you win awards. It’s nice, but if the agent doesn’t think she can sell your book, then it having won an award isn’t going to change that.
  • She says to keep track of queries—who you’ve sent them to, what they’ve requested, responses, etc.
    • It’s normal to not hear back from just a query, but it NOT normal not to hear back with partials and fulls.

Nice, but not always necessary.

WHERE TO START WHEN QUERYING

  • Absolute Write Water Cooler
    • This is the first place she went [the forums].
    • It has agents listed, and people write down their experiences with them.
    • You can get a feel for how agents work.
  • AgentQuery
    • Agents have their own accounts and can sign in and update it [in terms of submission guidelines and genre preferences].
  • Agency Web sites
    • Usually, the most up-to-date info for submissions is listed there.
  • Verla Kay’s Blue Boards
    • This is like Absolute Write Water Cooler
  • Literary Rambles
    • [Casey McCormick spotlights agents by compiling interviews/profiles done with them from all over the Web.]
  • Publisher’s Marketplace
    • [Weekly listings of what agents have sold.]
    • [You must pay to use this site.]
  • QueryTracker
    • [A site where you can actually submit your query to an agent and track your experiences with requests/rejections.]
    • [Or, you can just go in there and read the comments of others who’ve done this, to get a feel for agents response times, likes/dislikes, etc.]
  • WeBook
    • [Works like QT:] Put in query letter, and it sends it to the agent you want it to.
    • They charge for it now.
  • AAR [Association of Authors’ Representatives]
    • It lists reputable agents and info about them.
    • [*However, it should be noted that just because an agent is NOT a member of AAR does NOT mean he or she is NOT reputable.]
    • It has a good list of questions to ask agents when you do get “the call,” [as well as many other helpful writer resources.]

DON’Ts

  • Don’t try the “throw-and-see-if-it-sticks approach” when querying.
    • [Where you query agents without researching them and make little changes to your MS, based on whatever feedback you can get your hands on.]
    • This  is desperate.
  • Don’t query multiple projects.
  • Don’t keep tweaking your manuscript.
    • If it’s ready to be out there, you should not keep revising.
    • Also, she says it’s much better just to scrap it rewrite the whole thing—that’s what she did.
      • This way, you don’t have to keep trying to shift around details to make it all “fit”—you’ve got a fresh palette.

Get a fresh start.

Want more? Here’s a post I did on How and Where to Find Literary Agents.

In the Blogosphere: 6/7-6/18

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

THE NEXT STEP

I’ve focused a lot here on the blog about querying, but what about the next steps?

Here, QueryTracker’s Mary Lindsey asks Erin Murphy Literary Agency’s Joan Paquette about agent-requested revisions.

D4EO Literary Agency’s Mandy Hubbard also weighed in on this subject, both from the author’s perspective as well as from the agent’s perspective.

Over at the Guide to Literary Agents blog, guest blogger Felice Prager tells what to ask an agent when you’re lucky enough to be offered representation.

And, once you’ve signed and you’re working with an editor (and the revisions keep rolling in), here’s some advice from Greyhaus Literary Agency’s Scott Eagan on how to work (productively) with an editor.

Step one (one one): We can have some fun . . .

CHARACTER RELATIONSHIPS

One thing that deserves much attention when you’re plotting, writing, and revising is how characters relate to one another.  Curtis Brown, Ltd., agent Nathan Bransford discusses dynamic character relationships by referring to one of my YA author heroes, John Green Squee!

On her blog, Writing It Out, dystopian YA author Beth Revis talks about creating compelling love triangles, where something is at stake for all three characters—not just the third wheel.

Decisions, decisions . . .

TRENDY VS. TRUE

Over at Writer Unboxed, Ray Rhamey makes some important points about following industry trends as opposed to staying true to the stories you want to write—even if they aren’t “what’s hot” right now.

"He's so hot right now!"

GREAT NEWS

Dying to go to a writers’ conference but can’t afford it?  Write kids’ lit?  YA authors Elana Johnson, Lisa and Laura Roecker, Jamie Harrington, Casey McCormick, Shannon Messenger and Jen Stayrook have pooled their awesomeness to bring us a FREE, online writers’ conference—WriteOnCon—Aug. 10-12.  Canyoubelieveit??? Click here for details.

HILARIOUS AND A HALF

Since I’m always a fan of grammatical humor, here’s Allie of Hyperbole and a Half’s take on idiots people who write “a lot” as one word.