In the Blogosphere: 8/23-9/3

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to June (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?

I decided to do something a little different today.  I give you: FROM IDEA TO AGENTED IN 15 POSTS

NAME GAME

Before you can get that agent, that book deal, you must first—you know—write the thing.  And before you can do that, you want to make sure you’ve done everything in your power to make every detail as perfect for your story, your project, as you possibly can—from concept to execution.

And your characters’ names are no exception.  These take just as much care and thought as anything else in this process because they give readers certain connotations right away.

Do you think Stephenie Meyer chose “Bella Swan” by accident?  What if she had been Bella Swanson instead?  Katie Swan?  Bella Bwonton?  (<—Bwonton, incidentally, was the name I used for characters all the time when I was in grade school.  I have no idea where I got it or why, but it could have had something to do with my love for wonton soup . . . ).

What about Gretchen Bwonton?  Would the series have been as successful?  (Yes, because someone along the way would have made her change the name.)

Writer’s Digest to the rescue! (Thanks, guys!Here, Devyani Borade talks about this very thing and gives some great advice on how to pick the perfect names for your characters.

SCENE IT

Once you’ve figured that out, you want to make sure your manuscript is filled with memorable scenes.  Why have memorable characters in blah scenes?

Have no fear—Martina Boone of Adventures in Children’s Publishing is here to help!

THE QUERY STAGE

When your MS is looking fantawesome, you’ll want to tackle the next annoying hurdle—the synopsis.

Here, the Michelle-Andelman-repped Kate Hart uses Disney movies to help you boil down your book and make it less daunting.

Now that you have that pesky stuff out of the way, whom will you query?  The Michelle-Wolfson-repped Tawna Feske suggests stalking people (and it’s OK, she says, because all writers are stalkers 🙂 ) in order to find your dream agent.

Once you’ve found him or her, tailored your query, and you’re about to e-mail it . . . you’ll want to clean up that formatting so your message doesn’t get all wonky from cutting and pasting.  Here, WD’s Chuck Sambuchino hands you a broom.

Once your first—and second—and third—form rejection rolls in, you might start screaming,“Why? Why?? Why can’t I get some detailed feedback???” Curtis Brown Ltd.’s Nathan Bransford tells you.

And once your skin is a bit thicker, Writer, Rejected suggests you make it a game.  This will probably save your sanity.

THROWING IN THE TOWEL

At some point, you’ll have enough of the game, and doubt will undoubtedly (<—see what I did there?) creep in.

kt literary’s Kate Schafer Testerman offers some tips on what to do when you fail.

Likewise, D4EO Literary’s Mandy Hubbard helps you decide when to give up (or not to).

A FRESH PAIR OF EYES

Perhaps all you need is some betas to give you some feedback, which can help you give the editing one more go . . . because perhaps you rushed the whole querying thing.

But what is a critquer’s responsibility?  Award-winning writer Jason A. Myers is here to tell you . . .

. . . and up-and-coming YA author Maurissa Guibord gives a “F.R.E.S.H.” perspective on the subject as well in her guest blog on Adventures in Children’s Publishing.

Once you’ve figured that out, Paulo Campos of yingleyangle suggests 20 questions you should ask your betas.

BLOGGING

While you wait for agents to recognize your genius, you blog.  A little platform building can’t hurt, right?

But then you wonder how to increase your readership, so you start reading other writing blogs—whoa!  There are other writing blogs?—and you start to wonder if people think you’re a blogging snob.

So Jody Hedlund helps you decide.

And you realize she’s right when Pat Flynn of Daily Blog Tips gives you five reasons you should respond to all your blog comments.

HUZZAH!

And then someone likes you!  They really like you! An agent offers representation!  And then another! And then . . . what do you do??

Here’s Andrea Brown’s Mary Kole on getting offers from multiple agents.

It’s all just that easy, right? 😉

Have a nice weekend, everyone—and I hope you’ll check out The Write-Brained Network!

In the Blogosphere: 1/18-1/22

“In the Blogosphere” is a weekly series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week.  Most posts will be from that week, but if I find some “oldies but goodies,” I’ll throw those up here as well.

I never find as much time to read blogs as I want, but here are a few posts that struck me this week.

RESOURCES

Over at his blog, The Book Deal, editor extraordinaire Alan Rinzler shares some tips on hooking agents and editors.  He also gives examples of good hooks.  This blog is chock-full of all kinds of writing tips and just brimming with awesomeness, so check it out.

Over at WOW! Women on Writing, fellow Writer’s Digest contributor Kerrie Flanagan gives tips on how to pitch an agent.

The Oatmeal has become one of my favorite sites, with its hilarious lists on various subjects.  I mostly love it for its grammar and spelling tips—although, I’m a little biased, as its style is reminiscent of the approach I used when I taught grammar.  This post on spelling had me laughing out loud (ROTFL).  This is my favorite:

I wrote two posts this week, mentioning poetry and screenwriting.  If these areas are foreign to you, the folks over at Writer’s Relief can shed some light on them.  Learn some poetry lingo here, and get some screenwriting resources here.

At Editorial Anonymous, learn a thing or two about deciphering those rejection letters with this tongue-in-cheek post.

As I discussed earlier this week, when I came to the end of last week’s fight to finish my manuscript, I realized my original title no longer worked.  Desperate to be done with the thing and eager to apply the icing on my literary cupcake (what??), I, naturally, turned to the Internet for assistance with titles.  I found some help at Writing-World.com, Writer’s Digest, and eHow.

LIT AGENTS

Blogger sisters Lisa and Laura Roecker give some of Nancy Coffey Literary agent Joanna Stampfel-Volpe‘s tips on synopses.

WordServe Literary‘s Rachelle Gardner offers some advice on perfecting that elevator pitch.

As well, FinePrint Literary‘s Janet Reid details what a writer needs to have ready when looking for an agent for fiction, memoir, and nonfiction with this straightforward list on her blog.

Last but not least, The Last Will of Moira Leahy author Therese Walsh of Writer Unboxed asks her agent, Elisabeth Weed of Weed Literary, about voice—something not easily defined, yet something every agent seeks.

UP FOR DISCUSSION

Over at Fiction City, my writer buddy, Lisa Katzenberger, asks: How Soon Do You Start Critiques?

Here, Robert McCrum of The Observer talks plagiarism and lists some famous examples of authors’ works which have been accused of it.

In this guest post on Rachelle Gardner‘s Rants & Ramblings, editor Chuck Sambuchino asks, “Would you pay more for an agent?” And many weigh in…

CONCERNING A WRITER’S NEUROSES

I shall keep these three posts close by during this query (and, hopefully, submission) process:

Yes, that's "Monk."

OPPORTUNITIES

Like to read?  Like to blog?  Here, Thomas Nelson PublishersMichael Hyatt tells how to get your hands on free books and get your name out there by reviewing them.

Don’t forget to enter my contest here on the blog.  Click here for details on my easy-peasy contest, and see how you can win a brand-new 2010 Guide to Literary Agents!

JUST ‘CAUSE

I’m with COCO.