5 Tips on Dealing with Rejection

Since I am in Atlanta visiting friends, a bit swamped with work, and getting ready to start querying, I thought I’d post this oldie but goodie from my “How to Write Full Time and Stay Sane” series.  Enjoy!

How to Write Full Time and Stay Sane is a series that offers advice to full-time writers about how to stay productive and in good spirits.

Staying sane is something I’ll admit I haven’t been doing very well the past week or so.  Although I’ve had some exciting successes in that time (sold my first piece to a magazine, landed another gig teaching a summer workshop), I’ve also received my first few query rejections for my manuscript.  Because of this, I have assembled some tips as well as links from industry professionals to help you deal with this agonizing process.

Now, no one is more self-deprecating than I—nor will you find more of a realist (although, some might use the term “pessimist”)—so I’ve mentally prepared for this time of literary limbo.  In fact, more than one writer and loved one has scolded me for referring to the query process as “the rejection process” before I’d even received one.  But I can’t help it: I’d much rather be pleasantly surprised than sorely disappointed.

Which are you?

But even with that in mind, and even if you get the nicest, most personalized rejection (and I’ve gotten two of those so far), rejection still sucks.

You know getting rejections is normal; you know how subjective this is; you know how pertinent finding the right agent is; you know you must locate someone who falls head over heels for your work; you recognize how tedious of a task that’s going to be . . .

. . . but you also know you’ve put tens of thousands of hours into the writing and editing of this thing, and you’re doing the most vulnerable thing you’ve ever done by sending it out into the world—and then someone doesn’t want it for whatever reason.

So, yeah, rejection sucks no matter how ready you are for it.

HOW TO DEAL

Tip #1: File It & Forget It

In a recent Write-Brained Network LIVE CHAT, a friend of mine—whose manuscript has been rejected 28 times—said that every time he gets a rejection, he files it and moves on to something else.

That’s great advice.  And if you can do that, more power to ya.  I think the more seasoned you become in this business and the more irons you have on the fire, your skin can definitely thicken—but we’re not all there yet.

As well, I am lucky enough to be able to do this full time, and believe me: news of my first story getting accepted to a Virginia magazine alleviated some of my “I’m-going-to-die-hopeless-and-penniless-and-20-lbs.-over-weight” (Thank you, Stuart Smalley) attitude. However, I fully realize that many of you reading this have day jobs.  The only thing you’ve got cooking is your manuscript, and you don’t have time to distract yourself with other writing endeavors.

So, although filing and forgetting might sound good on paper (or on screen, as it were), I realize it’s easier said than done.  Which brings me to . . .

I’m good enough, I’m smart enough – and doggone it, people like me.

Tip #2: Send to a Friend

During the writing and editing process, we are discouraged from showing our work to loved ones because so many amateurs make the mistake of thinking that if their mother or spouse loves the book, it’s bound to be a New York Times bestseller.

Along that same vein, I am not suggesting you appeal to family and friends for a critique of your manuscript, but now is the time to revel in their bias toward loving it.  Print out a few copies and send them to your biggest fans.

While it’s gut-wrenching (no matter whose eyes scan your pages), if you include a close circle—those who’ve been rooting for you all along (your buddy from work, who always asks about your progress; your parents, who are eager to see what you’ve been doing all this time, etc.)—you are sure to get rave reviews.

As long as you take their glowing assessments for what they are and don’t let them cloud your realistic attitude toward the query process and the publishing industry, this praise can be just the ticket to convince you not to jump.

After all, regardless of whether or not your book will ever get any agent to want it, regardless if the book is even publishable, remember: completing a manuscript is a huge accomplishment. You deserve to have someone stroke your ego a bit.

Your manuscript is GRRRRRRREAT!

CONFUSION

When my first rejection rolled in, I scoured every resource I knew to figure out how to respond.

First of all, don’t get me wrong: I know you aren’t supposed to respond.

But the rejection was not just a personalized version of a form rejection letter.  As well, a YA author friend of mine had given me a referral to this agent because she represented said YA author friend, and the agent had mentioned our mutual acquaintance in the e-mail, so it wasn’t as though this was a cold query.

While I knew not responding at all would have been perfectly acceptable, and while I wasn’t going to lash out at the woman, I went back and forth about sending a “thank you.”

Agents are flooded with e-mail daily, and many are quite vocal on their blogs and on Twitter about not wasting their time, but in doing a little research, I found several well-known agents with conflicting information.  (Wait, agents don’t all agree on everything??)

HOW TO DEAL (AGAIN)

Tip #3: Seek Professional Help

When in doubt, turn to the rejecters themselves—agents and editors.  Many have blogs and other Web sites dedicated to everything from their personal preferences to typical response times.

Here, former Curtis Brown Ltd. agent Nathan Bransford lists acceptable etiquette for rejection follow-up.

For a different perspective, see this post by former agent, Penguin Group’s Colleen Lindsay on what not to do after a rejection.

Over on her blog, FinePrint Literary’s Janet ReidMadame Query Shark herself!—describes how to cut down on your anguish over unanswered queries by making sure you haven’t sent something that isn’t a query.

Tip #4: Gain Some Perspective

Once you’ve gotten a few rejections and you’re feeling like a hack, it’s important to put it in perspective and remind yourself that it’s normal.

Rabbit or duck?

On her blog at QueryTracker, YA author Mary Lindsey discusses how to handle rejection at arm’s length.  Her article is good on its own, but Lindsey references Hal Spacejock series author Simon Haynes’s post, “Rejection of the Literary Kind,” which is also worth a read.

As well, on his Web site, sci-fi writer, photographer and Web designer Jeremiah Tolbert offers an editor’s perspective on rejection.

To round out this area, over at Streetdirectory.com, award-winning romance and nonfiction author Dana Girard categorizes rejection into seven levels and suggests ways you can decode what each kind of rejection means in terms of your manuscript.

Tip #5: Commiserate

For those days when you feel like you’re the only person who sucks this bad, check out the following sites for a little misery-loves-company.

Want some company?

At Absolute Write Water Cooler, you can find several conversation threads where people share their rejections stories, but here’s a link to one where some poor schlubs compete for who got rejected the fastest. Can you beat 30 seconds?

If you’re looking for a gold mine in terms of rejection, bitterness and hilarity, check out Literary Rejections on Display.  The person running the blog—Writer, Rejected—actually says in the About Me profile, “I am a published, award-winning author of fiction and creative nonfiction—but whatever. In the eyes of many, I am still a literary reject.” Writer, Rejected posts his/her own rejection letters (as well as rejection letters sent in by others) and analyzes them—in a sane and fair way (usually).  There are several good posts, so definitely make time to poke around in the blog, but here is an example of a rejection analysis.

And here’s a cranky little rant by freelancer Chris Rodell titled “Reject Me, Please” over at his Media Bistro blog.  If you’re especially pissed off and cynical, this is the post for you.

PEP TALK

This last post (from Nathan Bransford’s blog by guest blogger Jon Gibbs) isn’t directly about getting rejection letters, but it discusses how we reject ourselves at times—how we make excuses for why we can’t do this and that.

Use this when you’re in need of a little pep talk, and it’s sure to snap you back to a state of sanity.

If you’re seeing the old lady, you definitely need a pep talk.

In the Blogosphere: 8/16-8/20

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to May/June-ish (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?

STORY OPENERS

Story openers is a topic we’ve touched on before, here on the blog (here’s the post from our Shenandoah Writers Online live chat on that very subject), but let’s see what other have had to say about it.

Here, D4EO Literary’s Mandy Hubbard dishes on the five things she looks for in the opening pages.

Over at his blog, Constant Revision, the inimitable Simon C. Larter explains the methods behind the madness in his very own opening lines.

And, for a little bit of fun, YALSA (Young Adult Library Services Association) lists a ton of first lines—so you can see a lot of these tips in action.

YOUR PITCH DOESN’T HAVE TO BE A BITCH

Think you’re ready to query or pitch?  Here’s a comprehensive pre-submission checklist from Martina Boone and Marissa Graff’s brainchild, Adventures in Children’s Publishing.  (<—post not *just* for kids’ lit, BTW)

As you go to write (or tweak) your pitch, check out Anne Brown’s four steps to battling the query in her guest post at Writer Unboxed.

And, why stress over the query?  WordServe Literary’s Rachelle Gardner divulges all the secrets to a great pitch right here!

ON SANITY

As kids and teacher-types go back to school, and as the summer comes to a close (can you believe it’s almost the end of August??), it’s time to start thinking about that evil time management thing again.

Here’s some advice on how to juggle it all from time management master and über-awesome young adult author Maggie Stiefvater.

COMMISERATE

And, if you’re feeling the rejection blues, you’re not alone:

Have a great rest-of-the-weekend!  I’m battling a cold (which is why this post was late).  Boo!!

You Have a Question? I Have an Answer: What Do I Do When I’m Stuck in Query Hell?

“You Have a Question?  I Have an Answer” is a feature that answers real questions from real writers.

Q:  Hi Ricki,

I have written a book that has received the highest praise from readers all over the world. It even came first in the UKAuthors contest in the Historical category.

In the last 10 years, I have had two agents, both of whom were extremely impressed with my work but could not find a publisher for it. Now even agents shy away from it. I am not giving up hope nor will I stop plugging it. I am writing to ask if you can figure out why a work that garners so much praise should face constant rejection.

—E.J.

A: Thank you for your e-mail!

The (somewhat frustrating) answer is that it could simply be the subjective nature of this business.

We have heard it time and time again: not everything we write is publishable.  Particularly if it’s a first book.  As unsettling as that is to think or hear about one’s “baby,” it’s true.

However, you have a lot going in your favor on this one.  While I am not familiar with most of the reviewers you listed in your e-mail, you certainly do have a lot of them.  And they don’t seem to be your mom/your brother/your best friend since high school praising your book.  It seems you have a wide array of people who see the merit in it.

Another thing you have going for you is that you have had two agents.  Of course, I don’t know the circumstances of why you no longer have them or how long ago that was, but that in itself says you are a good writer—and certainly capable of getting an agent.  In an industry where it’s a painful process to even get one, you’ve had two.  So, you’re that much farther ahead of the game.

As I’m sure you know, getting an agent interested in your book and then getting a publishing house interested in it can be an arduous task because these people need to fall in love with your work—and love it as much as you do.  It could be that you just haven’t found that “right person” yet who “gets” your writing yet.

All that said, there are a couple of things you can do; however, unfortunately, none of them will offer immediate results (but as a writer, I’m sure you know that already).

YOUR OPTIONS

1.  Self-publish it. This isn’t the best option for everyone; however, depending on what you want to do with your career or how well you think you’d be able to sell your book on your own (for instance, if you do a lot of speaking engagements, you could peddle it at those, etc.), you might want to go that route.  If you sell a lot of books and build up your platform a bit, you might even have publishing companies approaching you to re-pub at one of their houses.  This is rare, but it does happen.

Just keep swimming . . .

2.  Keep doing what you’re doing: query, query, query. Look at where in the query process your book seems to be falling short.  Is it the query itself?  Is it after you send in a partial or a full?  Research the heck out of agents, and keep looking for that special (agent) someone who will connect with your manuscript.

3.  Appeal to others. Send the manuscript through a round of critiques with your critique group or a few of your trusted writer friends.  Have each person give you an overall critique, and perhaps give them a few things to be on the lookout for specifically (i.e., characterization, setting, etc.).  Take the feedback you’ve gotten in agent rejections as well as the criticism your crit partners offer and consider having another go at the editing before you query again.  Perhaps the manuscript wasn’t as “ready” as you thought.

4.  Put this manuscript away and write something else. This one makes a lot of sense, but it’s also one that no one wants to hear.  You’ve obviously proven you can write, so write something else and hook an agent with that manuscript instead.  Once you’ve shown you can deliver a marketable product, agents and editors are much more likely to be interested in something they might have shied away from at first.  I’m not saying to sell out or write to trends, but get your juices a-flowing with something else.  Getting your mind off the first one is most likely going to be a welcome distraction when you’re stuck in the depths of query hell.

Thank you very much for the question, and I wish you luck—however you decide to move forward.

Dante forgot to add writers to his ninth circle of hell in his INFERNO.

In the Blogosphere: 12/7-12/11

“In the Blogosphere” is a weekly series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week.  Most posts will be from that week, but if I find some “oldies but goodies,” I’ll throw those up here as well.

I never find as much time to read blogs as I want, but here are a few posts that struck me this week.

FOR MENTAL HEALTH

Here’s a handy-dandy little post to bookmark for those rainy days of rejection.  On Inkygirl.com, freelancer Debbie Ridpath Ohi lists famous/successful authors whose famous/successful works were rejected—maybe even more than your manuscript!

WRITER’S DIGESTers

Here, Dana Girard of Novelists Inc. talks literary agents and publishing with my “sort-of” boss, Chuck Sambuchino of Writer’s Digest (editor of Guide to Literary Agents, Screenwriter’s & Playwright’s Market, and Formatting & Submitting Your Manuscript).  Chuck is gracious enough to give me the opportunities not only to interview agents for the GLA blog but also to write pieces for the 2011 editions of GLA & SPM, so I def wanted to give him props.

In this post on her blog, Jane Friedman, also of Writer’s Digest, discusses how getting professional headshots taken can affect your writing career.  It really struck me, as one who hasn’t quite gotten around to doing that yet…but she makes a good point, and it’s something that might not automatically occur to one.

Here, WD’s Friedman is at it again–only this time, she discusses a big mistake many writers make in story openings.

If you don’t get Writer’s Digest (what’s wrong with you??), here’s an article that ran in the October 2009 issue in which literary agent extraordinaire Donald Maass talks passion in writing.

RESOURCES

This is Plot to Perfection’s first post in their six-part series on character revision.  Although the series is geared toward NaNoWriMo survivors, it’s great info for anyone who wants to examine character in terms of: dialogue, mannerisms, physical attributes, attitudes, and personal growth.

As I reviewed the next URL for this next post on what YA literature needs more of (cultural diversity), I realized I bookmarked another post about the same video. I may have been out of it this week, but apparently, I’ve been consistent as well! Fellow aspiring author Simon C. Larter captured the essence of what I was thinking, but if you just want to watch the video on Kickstarter.com and learn how to support an independent publishing company actively seeking kids’ multicultural books, here you go.

Because I have a name people misspell, mispronounce, and misunderstand, I’ve long been interested in names.  I never really thought about pen names, but in this post, literary agent Nathan Bransford outlines the pros and cons of using a nom de plume.

**Incidentally, another “Ricki Schultz” (who IS. NOT. ME.) has published a poem online.  It’s somewhat difficult to find—especially now that my name comes up a bit more on the Internet because of this blog and my agent interviews—but I always worry someone is going to think I wrote the poem.  Which I didn’t.  Did I say that already? Perhaps I should create a pseudonym.  Any suggestions? 😉

WHAT DO YOU MEAN, he wasn't a real doctor??