Tag Archives: series

In the Blogosphere: 10/19-10/22

Posted in This Week in the Blogosphere by

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have over 100 links saved, dating all the way back to the summer (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?

STRENGTH IN NUMBERS

At yingle yangle, in one of Paulo Campos’s awesome 20 questions installments, he offers 20 great main-character-shaping questions for you to ask your hero.

On her blog, author Janet Fitch gives 10 writing tips that can help writers of any genre.

Looking for markets to sell your writing?  Susan Johnston over at the Urban Muse suggests 8 alternatives to magazines.

If you’re looking to start a writers’ group, here are 7 questions Colorado writer Molly Anderson-Childers says you should ask yourself in her guest post over at the Guide to Literary Agents blog.

Here, made of awesome up-and-coming YA author Michelle Hodkin gives the 4-1-1 on 3 of what she calls the best industry blogs you may not be reading.

ASK AN AGENT

Here on her blog, author and D4EO agent Mandy Hubbard lays out the process of getting a book published from “the end” to book in hand.

Over at Kidlit.com, Andrea Brown lit agent Mary Kole talks boy protagonists in young adult lit.

On Rants & Ramblings, agent Rachelle Gardner dishes on what the author is responsible for paying . . . for.  (Yeah, there was no great way to write that.  Or, there *was*, but my still-stuffy brain couldn’t find it.)

A subject that seems to be on everyone’s minds lately: Querying a series.  Here, Linn Prentis of Linn Prentis Literary weighs in.

TIME MANAGEMENT

Think you’re busy?  Author Jody Hedlund offers suggestions on how a busy mom can make time to write.

Here’s an interview Andrea Zimmerman over at Babble did with hella-awesome author mom Jennifer Weiner.  It’s more about parenting than it is about writing, but it’s a fun read and good for all the author moms out there.

WILL YOU MARRY . . . I MEAN, QUERY ME?

Here, another GLA guest poster, author Christine Fonseca, gives her take on writing nonfiction book proposals.

Over at Aspiring Mama, Pauline M. Campos likens the query process to finding love.

WHAT YOU NEED TO SUCCEED

Here at Write for Your Life, writer Iain Broome answers the question many folks have asked: Do you need a degree in writing to be a good writer?

On his blog, the Bacharach Blog, Samuel B. Bacharach talks about the three must-haves for proactive leadership for any successful artist.

CONTEST!!

And . . . don’t forget to enter my “Scare Me in 1,000 Words or Less” contest—ends Sunday, Oct. 24, at 11:59 PM EST.  Click here for the details.

Have a great weekend, everybody! 🙂

You Have a Question? I Have an Answer: Should You Query a Series?

Posted in You Have a Question? I Have an Answer by

“You Have a Question?  I Have an Answer” is a feature that answers real questions from real writers.

Q:  Ricki,

I’ve been told my WIP is too long.  I am currently trying to decide if I should edit it down to more agent-friendly word count or split it into two books.  The trouble is, if I were to split it, the first book would end on a such a cliffhanger that it would most certainly require a sequel.  I just don’t think it would stand alone.  That said, what are your thoughts on querying a series?

–L.H.

A: Thanks for the question!

In terms of ending on a cliffhanger, I can see how that might be tough to hook an agent as a stand-alone novel.  The first thing I’d say is—certainly—splitting a longer manuscript into two books isn’t going to be as simple as pasting half into one Word document and half into another.

Doing the splits with your manuscript isn't easy!

I’ve talked about this before on the blog: You’ve got to have two plots, or arcs—and you’ll want to make sure the first one is resolved because, in a series, each book must be able to stand on its own.  You also need to make sure you have an overarching arc that lends itself to a sequel or two.

As far as querying a series is concerned, you most likely don’t want to tell agents it’s a series.  Not yet.  Most agents don’t want to know you’ve got a seven-book series in the works when you query them because they want to be convinced the first is worth their time.

Being that there are this many stars in this movie and no one's ever heard of it (have they??) you'd thinking keeping mum wouldn't be a good idea. But in terms of querying a series, it is.

HOWEVER, when Suzi Agent is interested in your book and trends toward offering representation, she will ask you what else you’re working on—usually by way of a phone call—and that would be the time to spill.

Waiting until this conversation for the sequel/series reveal will work for you in a few ways.

First, it shows you’re savvy—you didn’t bombard her with grandiose plans of your multimillion-dollar series, like so many amateurs do.  Nope—you did what you had to do in order to ensure the first book was submission ready.  Go, you! And that tells her you’ve most likely been (or will be) just as careful in developing the rest of the books as you were with book 1.

As well, it shows you’re a hard worker.  Plotting out a series isn’t easy.  If you’ve got the chops to do something like that, it demonstrates you’re serious and tough—definitely in the top 10 requirements for being a novelist.

Hope this helps—and good luck with however you decide to handle your sitch!

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