In the Blogosphere: 3/14-3/25

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m making one of my resolutions to be better with these blogosphere posts.  *Well, I’m trying, but I’ve been reallllllly busy!* I’ve saved a lot of great stuff, though, and it’s all definitely worth a read.

HOW-TOs

Are you in query hell right now? Author Shawn Klomparens offers five easy steps to writing a query letter in this guest post on Writer Unboxed.

If you need more help in snagging an agent, check out Trans/plant/portation’s thoughts on the subject: maybe break some rules.

Okay, so what if that’s not the problem—what if you’re just Procrastination Patty (or Paul) these days? Here, Christine MacDonald gives six tips on getting back on track—applicable to any field, really.

So, now that you’ve signed with an agent and an editor snapped up your book in a major deal, it’s time to start planning your release party. W00t! Here’s author Jody Hedlund’s advice.

Pepper . . . I mean, Procrastination Patty. "Let's go shopping for flip-flops!"

CRAFT

We hear it all the time, but it’s important enough to revisit—all the time.  Here, Kidlit.com’s Mary Kole talks about specificity in setting.

And what’s a great setting without great characters?  TotallytheBomb.com’s Jamie Harrington says compelling characters come from what you, the author, know.

If you’re feeling a little sketchville on how to get to know your characters, fear not. The awesomesauce ladies of Adventures in Children’s Publishing have laid it all out for you in terms of Goal, Motivation, Conflict, and Tension.

BETAS, CPS & FRESH EYES—OH MY!

If you feel a case of writer-brain coming on, author Julie Ann Lindsey suggests you get a critique partner.  Lord knows mine have saved my sanity life on more than one occasion!

But how do you go about being a GOOD crit partner or beta reader?  YA Highway to the rescue!*

*Not just applicable to YA writers.

RESOURCES

TONS of my writing friends are passing their time and trying to increase their platforms by submitting short stories to anthologies.  But where does one go to find such markets? On Nick Daws‘ Writing Blog (Bob Loblaw’s Law Blog?), Nick himself lists seven of the top resources for that very purpose. Thanks, Nick!

This was originally intended for NaNoWriMo, back in November. However, as many writing friends seem to be getting over their winter freeze and jumping into new projects, here’s Write Anything’s Andrea Allison with ten Web sites to aid you through the plotting and planning process.

YOWZAS

Say it isn’t so!

Dude, these guys are so smart. Here’s Hank Green on lexical gaps—and the opposite of virginity.

Agree?  Here is American Book Reviews’ take on the 100 best first lines from novels.

Happy Friday, my loves!

Any good plans?

In the Blogosphere: 4/26-5/21

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

It’s been a few weeks since I did one of these posts.  As I’ve mentioned, it’s been busy, busy, busy.  I’ve been saving posts, but I haven’t been sharing them—how inconsiderate of me!

RESOURCES

This oldie but goodie post is from John Robert Marlow’s Self Editing Blog, and it deals with something I’ve seen a lot of lately: bouncing eyeballs.  Many writers—especially those writing young adult lit—have eyes and jaws and stomachs (and such) doing all sorts of things they couldn’t possibly be doing.  And while expressions like “she rolled her eyes,” “his jaw fell to the floor,” “his stomach dropped to his knees” are simply that—expressions—idioms—they can sometimes be jarring to the reader, and it is recommended by many that writers avoid using such phrases.  Marlow’s post does a great job of explaining why.

I mean, this is an eye-roll according to Morfland of OpticalFantasies.com!

And, my absolute favorite example of this comes from when I attended book doctor Bobbie Christmas’s class at the 2008 Southeastern Writers Association conference.  Christmas said she was editing a romance novel, and one of the lines read, “Her eyes were glued to his crotch.”  If you think about that image—the literal image—that can definitely take you out of what I’m sure was supposed to be a hot-and-heavy moment!

But I digress. 🙂

In this post, Paulo Campos of yingle yangle suggests using film to expand your use of body language.

WRITING FOR YOUNGSTERS

Since I write YA and am a recovering high school (and middle school for one year) English teacher, I have a soft spot for all things kids’-lit related.

In her guest post on the Guide to Literary Agents blog, Jewel Allen offers some tips on writing middle-grade lit kids will dig.

To swear or not to swear?  Andrea Brown Literary Agency’s Mary Kole discusses this very question in a few posts over at her blog, Kidlit.comHere is the first of those posts.

LOGLINES & YOU

In the quest for representation, I have discussed queries and pitches and loglines a lot with other writers as well as here on the blog.

Over at Writer Unboxed, Kathleen Bolton explains why you need to be able to boil down your novel to one or two sentences.

Curtis Brown Ltd’s Nathan Bransford concurs.

Here, Bransford tells you just how to do that.

Perfect your pitch! (Yes, Kyle, this pic is for you. Sadly, though, I have no idea who this player is. Sorry - I'm trying, though!)

PEP TALK

And what would the writing world be without pep talks?

Over at TotallytheBomb.com, YA author Jamie Harrington uses Rick Astley to keep us going when writing gets tough.

Sick of Nathan Bransford yet?  Get over it!  Here, he ‘splains that willpower is the greatest strength a writer can have.

Seekerville’s Camy Tang gives some ways one can balance writing and, well, everything else in life.  Stress not—it *can* be done!

PLATFORM

What’s this whole platform thing everyone’s talking about all the time?  Well, YA author Jamie Harrington will tell you.  She did a great little series over at her blog.  A must-read/view for all writers.