In the Blogosphere: 1/10-2/11

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m making one of my resolutions to be better with these blogosphere posts.  *Well, I’m trying, but I’ve been reallllllly busy!* I’ve saved a lot of great stuff, though, and it’s all definitely worth a read.

I’ve decided just to focus on agents and querying and . . . stuff, since I need to get a jump on WB workshop stuff this weekend.

Hope you enjoy!

AGENTS & QUERYING & STUFF

I jumped back into the query pool this week with my latest YA contemporary manuscript, so this is largely for me.  🙂  Oh yeah—and any of you also at this stage.  Hee.

Many of us have formulated our own lists of “dream agents,” based on stalking meeting some of the industry’s finest at conferences and workshop, reading interviews and blogs, etc.  Here, the Michelle Wolfson-repped rom-com author, Tawna Feske, talks about the downside of dream agents.

See that butterfly net? That's my dream agent. *Creepy much*? You know who you are . . . OK--you prob don't, and that's prob a good thing! 🙂

And, just in case that depresses you, here is another post by Feske, where she shows her agent-catching query.  For a little inspiration!

Agents dishing out query tips online in response to their query inboxes becomes a heated debate around the blogosphere at least twice a year, but I think it’s a valid discussion whenever it pops up.  Here, Heather Trese of See Heather Write asks: Is the #queries hashtag really good?

Querying can be extremely frustrating (understatement much?), and it can lead to writers getting pushed over the edge of good sense and expressing their frustrations in their Tweets or Facebook statuses. Translation: not good.  Here, Bridget Pilloud has the answer—a bitch box, or the Bitchy Comment Receptacle.  You need to bitch?  Pilloud provides a sounding board—and then deletes your comment so no one will see it.  Win-win!

Ever wonder how agents actually evaluate fulls when they request them?  Well, she doesn’t speak for all of agentkind, but Andrea Brown lit agent Mary Kole says she does it like this.

Going to a conference?  Here’s what kt literary’s Kate Schafer Testerman has to say about talking to agents IRL.

I had the distinct pain pleasure of writing my synopsis for my new MS this weekend.  I had *forgotten* about this, the fabulous Shawntelle Madison’s synopsis wizard.  But you should def check it out!

In my editing of MS #2—as well as in the reading of John Green, Maureen Johnson, E. Lockhart, and other YA all-stars, I’ve done a lot of thinking about the “mature voice” in teen fictionHere are amazegent Mary Kole’s thoughts on the subject.

So, confession: I got a Kindle for Christmas . . . and I love it!  Of course, it WILL NOT take the place of holding an actual book in my hands, but I have already found it great for traveling, working out, and it was VERY helpful last weekend, when I needed to read two harder-to-find books for an interview I was doing.  Agent Kristin Nelson agrees in this post, about the power of story—in any medium.

CONGRATS

A special WOO HOO goes out this week to my Twitter soulmate, Cambria Dillon, who signed with literary agent Vickie Motter of Andrea Hurst & Associates!  SO EXCITED FOR YOU, girl!!!!!!!!  *mwah!*

What better way to celebrate than this??

In the Blogosphere: 11/15-11/19

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to the summer (oh noes!)—but they are all still worth a look.  I’m getting there!

CRAFTING A WINNER

At Kidlit.com, über fantastic Andrea Brown agent Mary Kole talks about “prime real estate”—and the three places she considers that to be in your manuscript.  Um—sold!

Here, Kole says, if your characters shoot glances, you should be shot!*

In her guest post on Writer Unboxed, the ZOMG-awesome Laura Espinosa (a Write-Brainiac!) tells how getting in touch with your inner actor can help you iron out those pesky, hard-to-write scenes.

Q&A

This question has come up with some international Write-Brained Network folks—yes, we are global, people!!  Here, Mary Kole (yes, again—she’s on fire!!) discusses how to handle your manuscript if you are an international writer and/or writing international settings.

Paranormalcy author, the adorable Kiersten White answers reader questions and dishes on how/when to query as well as how to make blog follower friends.

THE FUTURE

Here, the now-former agent extraordinaire, author Nathan Bransford, debunks the top 10 myths about the future of e-publishing.

In the yeeeeeeear two thousaaaaaaaaaaaaand!

“RE” STUFF (-VISION & -SOURCES)

Many folks have tackled this subject, but here is the Suzie-Townsend-repped Kristin Miller of YA Highway’s take on how to revise and resubmit.

Here, on See Heather Write, Heather Trese outlines some of her incredible takeaways from a session on revising with Gennifer Choldenko. (Really really faboo post!)

The fabulous duo at Adventures in Children’s Publishing (Martina Boone and Marissa Graff) details the seven basic plot types in this equally as fabulous post.  Where does yours fit?

If you’re looking for some awesome Web resources for writers, the good folks of EduChoices.org have compiled 50 of the best in terms of reference; fiction, nonfiction, and freelance writng; and writing in general.

ATTRACTION

Here, author Jody Hedlund suggests how to attract readers to your bloggity blog. (<—Well, she doesn’t actually call it that!)

In her guest post over at Writer Unboxed, Writer’s Digest and the University of Cincinnati’s own Jane Friedman says specificity sets apart the professionals from the amateurs.

Over at the Huffington Post , Denise Brodey gives a five-point plan on how to sell books. Having a Twitter account won’t do it alone.

WHATCHOO TALKIN’ ABOUT, WILLIS?

Write Anything’s Annie Evett did a neat little four-part series on dialogue.  Check it out: part one, part two, part three, & part four.

Over at Inky Fresh Press, the OMGiDONTknowWHATi’dDOwithoutHER Write-Brainiac Bridgid Gallagher offers five tips on how to improve that elusive thing everyone wants to grab hold of: voice.

On her blog, freelancer and YA writer Heather Trese does it again, relaying valuable info she learned about voice during a workshop with Rachel Vail.

THERE THERE

Here, the inimitable T.H. Mafi (Tahereh), delivers the best writerly pep talk evarrr.  Bookmark it, folks.  Fo’ realz.

Feeling a little bipolar about your manuscript?  Jody Hedlund says that’s normal, and she offers suggestions on how to deal.

BECAUSE IT’S AWESOME

At Querypolitan, the fabulous Kate Hart *just may* be on to something: Edward Cullen and Vanilla Ice—one and the same?

ALSO?

Please check out my new Web site. 🙂

Happy weekend!!!

*OK—she doesn’t quite put it *that* way!

In the Blogosphere: 10/18-11/12

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have tons of links saved, dating all the way back to the summer (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?

AGENT STUFF

Here, author and D4EO literary agent Mandy Hubbard gives some spillage on some holes in the market as well as subgenres all editors want (hint: middle grade!).

Writer’s Relief talks lit agents—and how to find the best one for you.

Other than announcing he’s leaving the agenting world (!), Nathan Bransford has more bad news: the rejection letter of the future will be silence.

Here, FinePrint Literary’s Suzie Townsend chats about the waiting game.

We all know it’s important to build platform, but do unpubbed writers need to blog? Andrea Brown agent Mary Kole of Kidlit.com weighs in.

WRITING TIPS FROM COOL PEOPLE

Over on her blog, YA author Michelle Hodkin gives an ironic example of what your first pages should look like.* (Hint: if this is what your first pages actually look like, get that delete button ready!) *She also gives links to fabulous resources for fixing up those first pages.

Thinking of planning a trilogy?  Please don’t get started until you read this post by YA author (and my pal—hee!) Jodi Meadows.

Over at the Guide to Literary Agents blog, Chuck Sambuchino shares five screenwriting tips [from Neil Landau and Matt Frederick‘s 101 Things I Learned in Film School] *all* writers can use.

A DAY IN THE LIFE

Ever wonder what full-time writers do all day?  Over at Writing it Out, Across the Universe author Beth Revis live-blogged a day in her busy writer life.

While we’re living vicariously through others, middle-grade author Stephanie Blake shares how she got plucked from the slush pile over at Adventures in Children’s Publishing.

GETTING READY

As you know, I’m a huge enthusiast of writers’ conferences.  Well, so is the University of Cincinnati and Writer’s Digest’s Jane FriedmanHere, she talks about the benefits of attending these functions.

Having trouble formatting your synopsis? Here’s a checklist of the essentials, from WD.

Going along with that, Write Anything’s Annie Evett talks about the importance of building a writer portfolio—how to, what to include, etc.

Worried you’ll lose your blog content? Guest blogger Peta Jenneth Andersen explains how, over at Guide to Literary Agents blog.

Nanu-nanu!

Over at Self Editing Blog, author John Robert Marlow talks about jumping the gun.

NANO-TASTIC!

You may be participating in this writing marathon, but you can still be healthy about it. Write Anything’s Annie Evett tells us how.

Here, YA author of awesome Maureen Johnson answers a slew of NaNo questions.

Here are some NaNo DOs and DON’Ts, courtesy of TerribleMinds.

And over at Write Anything, Andrea Allison offers some Web site aids to help you stick with it.

MORE COOL STUFF

I heart Meg CabotHere’s an interview L.A. Times’s Carolyn Kellogg of Jacket Copy did with the author extraordinaire this summer.

Um, coolest thing ever?  Make your Twitter feed into a daily newspaper!

In the Blogosphere: 8/23-9/3

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to June (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?

I decided to do something a little different today.  I give you: FROM IDEA TO AGENTED IN 15 POSTS

NAME GAME

Before you can get that agent, that book deal, you must first—you know—write the thing.  And before you can do that, you want to make sure you’ve done everything in your power to make every detail as perfect for your story, your project, as you possibly can—from concept to execution.

And your characters’ names are no exception.  These take just as much care and thought as anything else in this process because they give readers certain connotations right away.

Do you think Stephenie Meyer chose “Bella Swan” by accident?  What if she had been Bella Swanson instead?  Katie Swan?  Bella Bwonton?  (<—Bwonton, incidentally, was the name I used for characters all the time when I was in grade school.  I have no idea where I got it or why, but it could have had something to do with my love for wonton soup . . . ).

What about Gretchen Bwonton?  Would the series have been as successful?  (Yes, because someone along the way would have made her change the name.)

Writer’s Digest to the rescue! (Thanks, guys!Here, Devyani Borade talks about this very thing and gives some great advice on how to pick the perfect names for your characters.

SCENE IT

Once you’ve figured that out, you want to make sure your manuscript is filled with memorable scenes.  Why have memorable characters in blah scenes?

Have no fear—Martina Boone of Adventures in Children’s Publishing is here to help!

THE QUERY STAGE

When your MS is looking fantawesome, you’ll want to tackle the next annoying hurdle—the synopsis.

Here, the Michelle-Andelman-repped Kate Hart uses Disney movies to help you boil down your book and make it less daunting.

Now that you have that pesky stuff out of the way, whom will you query?  The Michelle-Wolfson-repped Tawna Feske suggests stalking people (and it’s OK, she says, because all writers are stalkers 🙂 ) in order to find your dream agent.

Once you’ve found him or her, tailored your query, and you’re about to e-mail it . . . you’ll want to clean up that formatting so your message doesn’t get all wonky from cutting and pasting.  Here, WD’s Chuck Sambuchino hands you a broom.

Once your first—and second—and third—form rejection rolls in, you might start screaming,“Why? Why?? Why can’t I get some detailed feedback???” Curtis Brown Ltd.’s Nathan Bransford tells you.

And once your skin is a bit thicker, Writer, Rejected suggests you make it a game.  This will probably save your sanity.

THROWING IN THE TOWEL

At some point, you’ll have enough of the game, and doubt will undoubtedly (<—see what I did there?) creep in.

kt literary’s Kate Schafer Testerman offers some tips on what to do when you fail.

Likewise, D4EO Literary’s Mandy Hubbard helps you decide when to give up (or not to).

A FRESH PAIR OF EYES

Perhaps all you need is some betas to give you some feedback, which can help you give the editing one more go . . . because perhaps you rushed the whole querying thing.

But what is a critquer’s responsibility?  Award-winning writer Jason A. Myers is here to tell you . . .

. . . and up-and-coming YA author Maurissa Guibord gives a “F.R.E.S.H.” perspective on the subject as well in her guest blog on Adventures in Children’s Publishing.

Once you’ve figured that out, Paulo Campos of yingleyangle suggests 20 questions you should ask your betas.

BLOGGING

While you wait for agents to recognize your genius, you blog.  A little platform building can’t hurt, right?

But then you wonder how to increase your readership, so you start reading other writing blogs—whoa!  There are other writing blogs?—and you start to wonder if people think you’re a blogging snob.

So Jody Hedlund helps you decide.

And you realize she’s right when Pat Flynn of Daily Blog Tips gives you five reasons you should respond to all your blog comments.

HUZZAH!

And then someone likes you!  They really like you! An agent offers representation!  And then another! And then . . . what do you do??

Here’s Andrea Brown’s Mary Kole on getting offers from multiple agents.

It’s all just that easy, right? 😉

Have a nice weekend, everyone—and I hope you’ll check out The Write-Brained Network!

In the Blogosphere: 8/9-8/13

“In the Blogosphere” is a series, which lists links to writing-related blogs I’ve stumbled upon throughout a given week (usually).

I’m admittedly behind with my Blogosphere posts—I have about 50 links saved, dating all the way back to May/June-ish (oh noes!)—but they are all still worth a look.  I’ll catch up eventually, right?

CONFERENCE GOODIES

You know how, when you go to some writers’ conferences, they give you a goodie bag?  Well, here are some links that are better than that!  Yes, they all are from kids’ lit conferences, but the skills are not just for kids’ lit writers.

Here, get soundbites from tons of industry professionals at the recent SCBWI L.A. conference—courtesy of the fabulous Michelle Schusterman of YA Highway.

The more I say "goodie bag," the more I want to giggle. #growup

In this post, over at Adventures in Children’s Publishing, the inimitable Martina Boone presents us with literary agent Elana Roth’s two cents about high concept (from the SCBWI ME/DE/WV conference).

Also, if you *weren’t* one of the thousands who attended this week’s free online writing conference, WriteOnCon, get out from under your rock and click here to check it out.  Most (if not all?) of the posts and vlogs are up there.  Such a fab event!

YA YA YA

Here *are* some things specific to YA writers.

This adorable post, by the equally-as-adorable Nathan-Bransford-repped Natalie Whipple teaches you how to Tweet and blog like a YA author.  Yes, I am guilty of all these things.

I’ve posted links on this subject before (mostly by Andrea Brown lit agent Mary Kole), but here is Deborah Halverson—The Editor’s—take on swearing in YA lit.

Also, over at his blogThe Book Deal—editor Alan Rinzler shares tips on writing YA from three Dystel & Goderich Literary Management agents, Stacey Glick, Michael Bourret, and Jim McCarthy.

ON KRAFT*

It’s all about the mission, baby.  The Storyfixer, Larry Brooks, discusses what makes a successful short story.

In this post at See Heather Write, freelancer/editor Heather Trese uses one of my favorite shows (How I Met Your Mother) to discuss character consistency.  Or lack thereof.

Why, yes - I *am* the cheesiest!

And while we’re on the subject of characters, Seth Frederiksen talks about how to make leading characters great at Fuel Your Writing.

As a little precursor to a “Pointers from the Pros” post I will be running soon, here’s The Donald (Donald Maass), over at Writer Unboxed, talking about creating tension.

*In case you missed my D.Maass/RWA10 post earlier this week, here it isPimping out her own blog? Why, yes, she is! (And talking about herself in third person, too—what a freak-a-zoid!)

I don't know what you hearrrrd about me . . . (What ever happened to 50 Cent anyway?)

HEHE

I heart these fellow Clevelanders and YA authors, Lisa and Laura RoeckerHere, they talk about how writing novels is a little like peeing your pants.

Oh—and this is why I love YA author John Green:

*See what I did there? 🙂